#libros #arquitectura | Obra gruesa : arquitectura ilustrada

Obra gruesa : arquitectura ilustrada = Rough work : illustrated architecture / por = by Smiljan Radic.
Santiago de Chile : Puro Chile ; Berlin : Hatje Cantz, 2019 / [2ª ed.].
292 p. : il.
Ed. bilingüe español - inglés.
/ ES / EN / Libros / Arquitectura – Siglo XXI – Chile / Smiljan Radic

📘 Ed. impresa: ISBN 9789569016127 9783775747103
Cita APA-7: Radic, Smiljan (2019). Obra gruesa : arquitectura ilustrada = Rough work : illustrated architecture (2ª ed.). Puro Chile.
ehuBiblioteka BCG A-72RADIC OBR
https://ehu.on.worldcat.org/oclc/1192461811

[.es] Radić ha sido durante mucho tiempo una superestrella en su país de origen, Chile, gracias a numerosos proyectos pequeños y grandes como el teatro regional Bíobío o la casa que dedicó al Poème de l’angle droit de Le Cobusier. Usando medios mínimos, crea espacios extraordinarios. Sus estructuras arquitectónicas son como esculturas que responden a sus entornos. ‘Obra Gruesa / Rough Work’ presenta veinticuatro obras clave producidas entre 1990 y 2015. Ricamente ilustrada, con innumerables bocetos conceptuales y dibujos de construcción, esta edición contiene dos nuevos ensayos de Moisés Puente y el famoso comisario suizo Hans Ulrich Obrist.

[.en] Smiljan Radić is famous for his architectural designs, but especially for one attention-drawing coup: in 2014, his Serpentine, designed to look like a gigantic stone, astonished visitors. This building was in no way his first stroke of genius, however. Radić has long been a superstar in his home country of Chile, thanks to numerous small and large projects such as the regional theater Bíobío or the house he dedicated to Le Cobusier’s Poème de l’angle droit. Using minimal means, he creates extraordinary spaces. His architectural structures are like sculptures that respond to their environments. ‘Obra Gruesa / Rough Work’ presents twenty-four key works produced between 1990 and 2015. Richly illustrated, with countless conceptual sketches and construction drawings, this edition contains two new essays by Moises Puente and the famous Swiss curator Hans Ulrich Obrist.