Mostrando entradas con la etiqueta Carlo Scarpa. Mostrar todas las entradas
Mostrando entradas con la etiqueta Carlo Scarpa. Mostrar todas las entradas

lunes, 18 de junio de 2018

#libri #architettura | Carlo Scarpa : Canova Museum Possagno

Carlo Scarpa : Canova Museum Possagno / Gianluca Frediani ; photographs by Alessandra Chemollo ; with an essay by Susanna Pasquali.
Mondadori Electa, Milano : 2016.
137 p. : il.
Colección: Electa Architecture.
ISBN 9788891812438

Canova, Antonio, 1757-1822.
Escultura -- Italia.
Museo Canova.
Museos -- Arquitectura.
Scarpa, Carlo, 1906-1978.
Sbc Aprendizaje A-72SCARPA CAR
http://millennium.ehu.es/record=b1866005~S1*spi

Nonostante la vasta letteratura scientifica a disposizione, l'intervento scarpiano ha spesso suscitato dubbi interpretativi a causa della difficoltà di individuarne i limiti materiali in una stratificazione storica articolata e complessa Il libro, corredato da un ricco repertorio iconografico, cerca di sollevare questo velo di incertezze, ripercorrendo le concitate fasi del lavoro scarpiano in una trattazione che induce - da un lato - a scoprirne le strette relazioni con la casa canoviana ed il paesaggio dei luoghi - dall'altro - ad approfondirne i modelli di riferimento e le vicende costruttive Per meglio mettere a fuoco il rapporto che l'architetto imbastisce con i gessi canoviani, lo studio ricostruisce l'evoluzione degli allestimenti espositivi dalla fondazione della Gipsoteca neoclassica alla sistemazione scarpiana del 1957 Alongside the critical interpretation to reality documentary archive, the book leaves emerge a new vision of Scarpa's project, caught in its oscillation between the legacy of classical models and outcomes of the modern movement The volume, which was introduced by the wise to Dispense and Susanna Pai, is illustrated by an extensive review of sketches and drawings of the Venetian architect, coming from his personal archives preserved at the MAXXI in Rome and Treviso Centro.

domingo, 7 de junio de 2015

#books #art | Venetian glass by Carlo Scarpa : the Venini company 1932-1947

Venetian glass by Carlo Scarpa : the Venini company 1932-1947 / [edited by] Marino Barovier ; [photographs Ettore Bellini, Francesco Barasciutti].
Skira [etc.], Milano [etc.] : 2013
489 p. : il.
Catálogo de la exposición del mismo tít. celebrada en el Metropolitan Museum of Art de Nueva York del 5 de noviembre del 2013 al 2 de marzo de 2014.
ISBN 9788857220802

Arte del vidrio -- Italia.
Cristalería.
Scarpa, Carlo, 1906-1978 -- Exposiciones.
Sbc Aprendizaje A-748 VEN
http://millennium.ehu.es/record=b1788496~S1*spi

A splendid catalogue devoted to the work of an artist who was responsible for some of the most original glass artworks in art history. Through around 300 works, documents, and original drawings from private collections and museums from all over the world, this important volume reconstructs the work and life of Carlo Scarpa from the very beginnings of his career when he worked as artistic director for the Venini glassworks, between 1932 and 1947. It is no coincidence that Scarpa’s glasswork can be organized into no less than thirty distinct styles, differentiated by the technique of execution and the glass construction method used. We need only think of the corrosi (corroded), in which the material is attacked and eaten into by sawdust soaked in hydrofluoric acid.

miércoles, 19 de febrero de 2014

#libros #arquitectura | Agua, esencia del espacio en la obra de Carlo Scarpa

Agua, esencia del espacio en la obra de Carlo Scarpa / Francisco del Corral del Campo.

Valencia : General de Ediciones de Arquitectura, 2013.
272 p. : il.

/ ES / Libros / Agua en la arquitectura del paisaje / Agua y arquitectura / Carlo Scarpa

📘 Ed. impresa: ISBN ISBN 9788494117206

Cita APA-7: Corral del Campo, Francisco del (2013). Agua, esencia del espacio en la obra de Carlo Scarpa. General de Ediciones de Arquitectura.
ehuBiblioteka BCG A-712.5 AGU
http://millennium.ehu.es/record=b1788054~S1*spi

[.es] Francisco del Corral nos ofrece en este libro una visión de la obra del gran arquitecto italiano fundamentada en una analogía acuosa. Es apropiado ver el trabajo de Carlo Scarpa en el marco de una dinámica generativa y ver tanto el proyecto como su construcción en un gradual desenvolvimiento definiéndose en el tiempo. La imagen del agua nos puede ayudar a interpretar la naturaleza mutable del proyecto. Un medio acuático seria el hábitat natural en el que explicar el acontecimiento de las coagulaciones que distinguen el curso y la dirección del movedizo trabajo del arquitecto. El agua será también el elemento que servirá de hilo conductor al discurrir de la presentación y el intenso análisis de Francisco del Corral.

"Carlo Scarpa, el tallador del agua, figura mítica e intensa como su propia ciudad, se nos descubre a lo largo de las páginas de este libro como el maestro que fue capaz de cristalizar en su arquitectura las formas del agua reinterpretando la más pura tradición veneciana. Francisco del Corral, a través de su mirada, atenta y sensible, y de un riguroso trabajo de investigación que bucea en el trabajo y en la personalidad de Scarpa, nos muestra la fascinante aventura de este genio del siglo XX en su búsqueda por alcanzar la Belleza.”—Elisa Valero

"Este bello libro habla de una ciudad única y de un arquitecto extraordinario en la tensión de una interlocución y un juego de influencias. Cada una de las obras que se examina en el libro es un símbolo, un arquetipo, que señala, más allá de ella misma, las transfiguraciones que acontecen en una naturaleza mayor, envolvente. El fondo se hace figura en la obra de Scarpa." – Juan Navarro Baldeweg

Y TAMBIÉN…
Las formas del agua y la arquitectura de Carlo Scarpa / Francisco J. del Corral del Campo ; directores Juan Navarro Baldeweg, Elisa Valero Ramos.

Tesis Universidad de Granada Doctoral, Departamento de Expresión Gráfica Arquitectónica y en la Ingeniería, Escuela Técnica Superior de Arquitectura de Granada. Fecha defensa: 2008.
Ed. digital:
🔓 Open Access / RE-UGR [Universidad de Granada]
http://hera.ugr.es/tesisugr/17368716.pdf

viernes, 21 de enero de 2011

#books #architecture | Residential Masterpieces 8 | Carlo Scarpa : Casa Veritti, Udine, Italy, 1955-61 : Casa Ottolenghi, Bardolino, Italy, 1974-79

Carlo Scarpa : Casa Veritti, Udine, Italy, 1955-61 : Casa Ottolenghi, Bardolino, Italy, 1974-79 / edited and photographed by Yukio Futagawa ; text by Yoshio Futagawa.
ADA Edita, Tokyo : 2010.
71 p. : il.
Colección: Residential Masterpieces ; 8.
Texto en inglés y japonés.
ISBN 9784871406338

Arquitectura -- Siglo XX -- Italia.
Casa Ottolenghi (Bardolino, Italia)
Casa Veritti (Udine, Italia)
Scarpa, Carlo, 1906-1978.
Sbc Aprendizaje A-72(082) *RES/8
http://millennium.ehu.es/record=b1624262~S1*spi

The two houses introduced here are masterpieces with the highest quality not only within Italy but also in the history of 20th century residential architecture. Despite the presence of a grap of twenty years between the periods of their creation and a difference in their respective styles, these two houses are important milestones that illuminate this architect’s life as an artist. Their glorious figure and spatial experience provide there never cease to appeal to our generation today in terms of the depth of creation that es innate to architecture.

Carlo Scarpa, master of 20th –century Italian architecture, was born in Venice in 1906. He graduated the architectural department of the Academy of Fine Arts at the age af 20 and became assistant professor at the Academy. Subsequently, his teaching at the Academy became a part of his lifework along his creative practice as architect. He has been called by his title “Professor” as well as “Maestro”.

Prior to WWII, his earlier works consisted mainly of glassware design, a traditional craft of Murano, Venice, instead of architectural projects. They were the product of collaborationbetween the poetic sensitivity of an extraordinary designer and the high level of traditional technology of craftsmen, that represent Scarpa’s own world of beauty, and gained him fame as a top crafts designer. He was eager to incorporate the craftsmen’s high level of technology and quality realized through various methods and materials old and new to his architecture and came to develop an architectural world of his own. In the course of time, his art worked its way up to become a presence that transcends segmentalized creatives genres such as architecture, crafts and industrial design.