Berlin : DOM, 2019.
307 p. : il.
Serie: Construction and Design Manual.
ISBN 9783869226736
/ EN / Libros / Arquitectura – Dibujos y planos / Dibujo arquitectónico / Diseño arquitectónico
ehuBiblioteka BCG A-72.011 ARC
https://ehu.on.worldcat.org/oclc/1083114904
[.en] In the last few decades, the "diagram" has evolved into a constitutive, generative medium for the architectural design process and is now an everyday term used in the context of design. The diagram represents an imaginative process that enables architects to transform typologies, figures, and models using analogue and digital design procedures. This process is creative and erratic – it is highly intuitive and variable and follows its own logic. As such, the diagram, with its lines, points, and strokes, operates at the intersection of geometry, art, and theory. The second edition of this book from the series Construction and Design Manuals presents a selection of projects by prominent architects and designers in the form of diagrams, drawn from the fields of architecture, interior design, and installation. This volume includes work by UNStudio, NL Architects, JDS Architects, J. Mayer H. Architects, LAVA, and Périphériques architectes and also features an essay by the philosopher Lidia Gasperoni.
Architects use diagrams every day – as sketches they are convenient tools for quickly demonstrating a point, as worked through representations they present complex ideas simply and attractively for clients, and as graphics they cross language barriers. Their theoretical background is, however, not quite so well known. Alongside offering inspiring examples of these multifaceted visualisations, this volume explores some of the associated history and theory. How is the diagram a place where architecture and philosophy meet? In what ways can we critically examine their analogue and digital forms? Is the history of the diagram over? Citing the ideas of, among others, Peter Eisenman and Gilles Deleuze the philosopher Lidia Gasperoni investigates diagrammatic practices in architectural design in her absorbing introductory essay.
Architects use diagrams every day – as sketches they are convenient tools for quickly demonstrating a point, as worked through representations they present complex ideas simply and attractively for clients, and as graphics they cross language barriers. Their theoretical background is, however, not quite so well known. Alongside offering inspiring examples of these multifaceted visualisations, this volume explores some of the associated history and theory. How is the diagram a place where architecture and philosophy meet? In what ways can we critically examine their analogue and digital forms? Is the history of the diagram over? Citing the ideas of, among others, Peter Eisenman and Gilles Deleuze the philosopher Lidia Gasperoni investigates diagrammatic practices in architectural design in her absorbing introductory essay.
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