domingo, 7 de julio de 2019

#books #architecture | Soviet Modernism, Brutalism, Post-modernism : Buildings and projects in Ukraine 1960-1990

Soviet Modernism, Brutalism, Post-modernism : Buildings and projects in Ukraine 1960-1990 / Oleksiy Bykov, Ievgeniia Gubkina.
Berlin [etc.] : DOM Publishers [etc.], 2019.
261 p. : principalmente il.
ISBN 9783869227061

/ EN / Libros / Arquitectura – Siglo XX – URSS / Ucrania
ehuBiblioteka BCG A-72.036(47) SOV
https://ehu.on.worldcat.org/oclc/1103605028

This new publication is a comprehensive study of Soviet Modernism in Ukraine. The authors and architects, Oleksiy Bykov and Ievgeniia Gubkina, have studied modernism in architecture in depth over many years. In this 250-page book, they explore the uniqueness of modernist ob-jects in all its forms - from interior de-sign to city plans - across the entire ter-ritory of Ukraine and over three full dec-ades. Furthermore, this title explores the differences between the main concepts in the debate on late Soviet architecture, in which the term "brutalism" has, un-til now, been understood as a western phenomenon.

In recent times, Soviet architecture in Ukraine has been rather in vogue abroad. At home, however, it is a different story: due to various political and economic factors and the stigma that is attached to everything Soviet, many buildings from the Soviet period are not maintained or even destroyed. The Ukrainian authors Alex Bykov and Ievgeniia Gubkina have decided to fight to save modernist architecture. Based on large-scale research, this book offers a rethinking of postwar Soviet architecture, with Bykov’s photographs documenting buildings in their current state and Gubkina’s criticism and analysis giving an unexpected spin on the multi-faceted modernist architectural movement, putting it in its correct global, historical, and political context. Gubkina also offers a revision of the term Modernism, which is most widely used in Ukraine, and the terms brutalism and post-modernist architecture. This lavishly-illustrated title leaves us to question whether we should remain neutral to the steady destruction of these urban ruins and the attempt to wipe this legacy from our memory and whether this Soviet past that is portrayed is really past.

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