Palimpsesto, Barcelona : 2015.
119 p. : il.
ISBN 9788494206825
Arquitectos.
Arquitectura -- Siglo XX.
Arquitectura -- Siglo XXI.
Sbc Aprendizaje A-72.038 WOR
http://millennium.ehu.es/record=b1816826~S1*spi
The interview genre was born with the development of journalism toward the middle of the 19th century. Away from the fugacity of news, this format suits multiple objectives, such as bringing culture to society, getting to know a personality, or sending a specific message. The interviewer does not only carry the message, he also seeks to understand the interviewee, and in an effort to comprehend and learn, he sometimes ends up revealing his true nature by delving into his personality and unveiling his discourse. His primary objectives shall be to create an intimate mood, to connect with the interlocutor’s inner world and get him to tell what he has never told before, to steal his soul. Instead of aiming for the self-complacent essay, the interviewee speak and infuses life into his abstract thoughts. However, the recognition of the interview as a literary genre had many opponents from the beginning. Born from techniques used at court proceedings and halfway between the questionnaire, the profile interview and the conversation, its fidelity, integrity and coherence are not always guaranteed. The necessary transcription into written form, the excessive manipulations, the deceits and distrust have resulted in surprises more than once, as a result from that sort of harmless battle fought in every interview. As a scientific genre it is undoubtedly valuable in terms of dissemination, but its ability to generate knowledge is often questioned.
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