The Miralles Projection : Thinking and Representation in the Architecture of Enric Miralles / Javier Fernández Contreras ; [editor, Javier Fernández Contreras ; translator, Jamie Benyei ; with contributions by: Emilio Tuñón... [et al.]].
Novato, CA : Applied Research and Design Publishing, 2020.
181, [36] p. : il.
Obra basada en la tesis del autor, leída en 2013 en E.T.S. Arquitectura (UPM).
/ EN / Libros / Arquitectura – Siglo XX / Diseño arquitectónico / Espacios públicos / Enric Miralles
📘 Ed. impresa: ISBN 9781943532674
Cita APA-7: Fernández Contreras, Javier (2020). The Miralles projection: thinking and representation in the architecture of Enric Miralles. Applied Research and Design Publishing.
ehuBiblioteka BCG A-72MIRALLES MIR
https://ehu.on.worldcat.org/v2/oclc/1232450391
Novato, CA : Applied Research and Design Publishing, 2020.
181, [36] p. : il.
Obra basada en la tesis del autor, leída en 2013 en E.T.S. Arquitectura (UPM).
/ EN / Libros / Arquitectura – Siglo XX / Diseño arquitectónico / Espacios públicos / Enric Miralles
📘 Ed. impresa: ISBN 9781943532674
Cita APA-7: Fernández Contreras, Javier (2020). The Miralles projection: thinking and representation in the architecture of Enric Miralles. Applied Research and Design Publishing.
ehuBiblioteka BCG A-72MIRALLES MIR
https://ehu.on.worldcat.org/v2/oclc/1232450391
[.en] This book explains both the origin and evolution of Miralles' system of representation, from his time as a student at the Barcelona School of Architecture to the latest projects he designed with Benedetta Tagliabue, including the heroic period with Carme Pinos. With previously unpublished drawings from the architect, it demonstrates on a fundamental level how the evolution of representation runs parallel to that of architecture, thus illustrating its indissolubility and mutual interdependence.0It is impossible to dissociate the evolution of the architecture of Enric Miralles from the development of his own system of representation. Beginning from a position inherited from his training at the Barcelona School of Architecture and his practice at the office of Viaplana-Pinon, where he acquired a liking for precision in drafting and a graphic style based exclusively on lines of the same thickness, Miralles soon developed a method defined by a customised use of orthographic projections, connected to a fragmented conception of the architectural plan and space itself.
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